In her excellent writer’s memoir The Getaway Car, Ann
Patchett likens a new novel idea to a beautiful butterfly flying overhead. It is such a perfect thing before a
writer grabs it and ruins it by turning it into words and scenes and
chapters. A writer’s idea is
at its most divine before she writes a single word.
For the past two weeks I have resided in a butterfly garden
of ideas for my own next novel. I write
down the plot outlines, characterizations and titles in a special notebook I
keep just for the purpose. Every
one of these ideas is perfect, sublime. They are not yet squashed within the pages of a
draft but rather gently kept between the covers of my idea notebook. They land
on my nose and flit their wings. Their wind on my eyelids feels like hope,
meaning, truth and possibility.
Last night, I chose one. I’ve bent its wings already, forcing it into a plot outline
of 22 chapters. Now that I begin
to write, the characters won’t flesh out exactly as I’ve imagined them. They will grow their own vocal chords
and saying what they want to say.
They’ll head this way on the highway instead of that. The meaning that I’ve imagined for
their lives will shift and mean something slightly or wholly different.
We are on our adventure together now, this idea and me. We exit the garden and enter into real
life which requires cause and effect, show not tell and a narrative arc. I’ve chosen this particular idea for its relevance
and strength. I’ve chosen this idea
because it matters to me the most, because I looked into my teenaged daughter’s
face over dinner two nights ago and it came to me like that.
And so
we begin.
Writer and artist friends, what is your process? How do you decide which idea to turn into form?
Blue Morpho. Photo by unknown photographer, posted on www.mini-life.com.
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